Baby Shark Dance beats Despacito to become most-viewed YouTube video in history

The perennial ear worm and children’s music video sensation, Baby Shark Dance, has become the most-viewed YouTube video in history, surpassing Despacito by Luis Fonsi and Daddy Yankee. The Pinkfong IP breaks the record just as the Baby Shark single receives the RIAA Diamond certification for selling over 11 million records.

Baby Shark is now one of the only 41 Diamond singles in history, alongside best-selling artists such as Ed Sheeran and Lady Gaga. The song has also been recognised as Brit certified two-times Platinum in September this year.

Baby Shark became a breakout sensation when it launched on YouTube in November 2015. With its catchy music, iconic characters, and playful dance, all combined together, Baby Shark took the world by storm, recording a 20-week-streak on the Billboard Hot 100 and number six on the Official Singles Chart, the highest position ever achieved by a children’s song in history.

The hit song spawned a viral dance challenge named #BabySharkChallenge, generating over one million cover videos around the world.

“We are very proud at Relentless Records/Sony Music to have built a great global partnership with the Pinkfong/SmartStudy team. It has been very inspiring to watch something that brings so much fun to so many people become such a worldwide record,” said Shabs Jobanputra, managing director, Relentless Records.

“Without the love and support of fans around the world, Baby Shark’s new record would have been impossible,” said Min Seok Kim, CEO, SmartStudy. “We’re very honored by this record and will continue to focus on delivering high-quality entertainment beyond the digital platforms.”

Sustainability in Licensing Conference to be an all virtual event taking place this November

The inaugural Sustainability in Licensing Conference is to be staged as a virtual two-day event taking place this November 24th to 25th, with a line up featuring never-seen-before research and findings from across the manufacturing and retailing landscape.

SILC 2020 will be the first event of its kind and promises to deliver a full agenda of inspiring and insightful keynote speeches, panel discussions, and research findings from a vast array of experts, retailers, and visionaries all focused on helping everyone in the licensing community to drive sustainable growth.

In a line-up curated by the conference director, Helena Mansell-Stopher, SILC speakers will include leaders from the Ellen MacArthur Foundation, Tesco, Asda, Marks and Spencer, Teemil Tech/Rapanui Clothing, Retail Economics, Central Saint Martins, Breakdown Plastics, Wastebusters, Kids Insights and the R&A Sustainable Sporting Events.

Mansell-Stopher said: “While all our personal and business lives continue to be disrupted by Covid-19, by taking SILC onto a digital platform means that we can all continue on our sustainable journey. The commitment we have engendered in SILC, as evidenced by the fabulous line-up of speakers and official supporters, highlights the collective drive for change on the sustainable front while also being aware of the commercial realities.”

James George, network development lead at the Ellen MacArthur Foundation will explain why the circular economy is integral to sustainable growth within the licensing sector, while Martin Drake-Knight, the Co-founder of Rapanui Clothing and Teemil Tech will share how this British entrepreneurial business forged a sustainable fashion revolution with its ‘give back’ scheme.

Meanwhile, on the retail front, Jessica Palalagi, Head of Resource Management at Marks and Spencer will reveal details of its ‘Plan A’; Joe Little, Head of Technical, Fabric, Colour, Sustainability and Technology at F&F, Tesco will share the progress of F&F’s sustainable journey, and Jade Snart, Senior Sustainability Manager George at Asda will reveal the great strides the grocer has made on the environmental front.

Providing some real punch on the commercial side, Richard Lim, Chief Executive Officer of Retail Economics will be demystifying how to unlock sustainable finance.

Click here for the full agenda and speaker information.

The digital format of the conference replaces the physical event that was due to take place at the British Library in London on November 25.

Using the respected Hubilo digital platform, not only will attendees be able to watch the presentations in real time on the 24-25 November, but they can also request video meetings with speakers and other attendees in the afternoons on those days, as well as use a chat function to network with other delegates.

The Conference programme of talks will also be run in its entirety on Thursday 26 November for attendees to view and all presentations will be fully accessible by them until Sunday 29 November.

The cost of attending SILC 2020 is £95 (+VAT) per delegate. Bookings can be made by clicking here.

A great number of leading companies have already pledged their official support to SILC 2020, underlining their commitment to change within the industry.

The Products of Change group is the headline supporter of SILC 2020 while the official supporters include Amscan, BBC Studios, Brandgenuity, Change Plastic for Good, Character World, Discovery, Dreamtex, GB eye, Global Brands Group, Hasbro, MDR Brand Management, Natural History Museum, Smiffys, TDP Textiles, Those Licensing People, University of Oxford, ViacomCBS, and Warner Bros. Consumer Products.

For any more details on booking SILC 2020 contact Clare Hollick of Createvents on clare@createvents.co.uk or 01183 340085.

Soundtrack Your Brand renews licensing partnership with Warner Music and rolls out Soundtrack Unlimited

The business to business music streaming service, Soundtrack Your Brand, has renewed its global licensing agreement with Warner Music as it introduces a new on-demand service Soundtrack Unlimited, to enable business users to have more control over the music they play to their customers.

Soundtrack supplies licensed streamed music for businesses to play to attract and retain customers. The platform curates soundtracks by genre, sound and business type to help venues play music with a vibe consistent to the business they are delivering. The new on-demand service will enable businesses to pick and choose individual songs within those soundtracks.

The B2B music streaming market is still very much in its infancy and many businesses are still using employee’s personal streaming accounts to play music. Doing so is in breach of the terms and conditions set by those B2C streaming services, as well as the licenses that such platforms hold from music rights holders.

Research from Nielsen, commissioned in 2019 by Soundtrack, estimated that rights holders were losing some $2.65 billion worldwide because businesses are not using properly licensed services. Soundtrack Your Brand has highlighted that the opportunity to grow this market ‘is significant, with some 70 million commercial subscribers worldwide.’

Warner Music first licensed Soundtrack two years ago and in that time it has rolled its service into 74 markets. The service enables artists to reach over five billion customers worldwide as they visit venues including Lululemon, McDonald’s and W Hotels.

Soundtrack Your Brand’s new Soundtrack Unlimited on-demand service enables businesses to jump, skip and replay tracks, as well as create their own playlists and import others from Spotify. These features were only previously available on B2C services.

Ola Sars, founder and CEO, Soundtrack Your Brand, said: “Soundtrack is committed to increasing value in music streaming overall by fixing the broken and outdated background music market. Together with Warner Music we’re at the forefront of this change, driving innovation together in order to unlock value for music creators.

“We’re increasing pricing by five to 10 times and therefore significantly increasing royalties paid out to labels and artists, all this enabled by a superior product offering throughout 74 markets. Now the whole industry needs to join forces and make sure that compliance is ensured across the B2B music market, as it’s our collective responsibility to help those trying to make a living from their art.”

John Rees, SVP global business development, WMG added: “Soundtrack Your Brand has created a first-class streaming service that’s tailored to deliver music and data insights to businesses across the world. Warner continues to support them during this exciting new chapter, so that we can work to ensure that fair value from the commercial sector is being returned to artists and creators.

“With the launch of the new on-demand product, businesses around the globe can now access Warner’s incredible catalogue in new ways.”

Asmodee Entertainment brings board game art work to life in Artovision partnership

Asmodee Entertainment has signed a new licensing partnership with Artovision to bring to life several of its tabletop gaming properties through Artovision’s innovative multi-dimensional art collectables. Under the deal, Artovision will develop pieces inspired by the artwork of Catan, Arkham Horror, Twilight Imperium, KeyForge, and Legend of the Five Rings.

Each property is known for their use of high quality illustrations throughout the game. The move is the latest in Asmodee’s ongoing assault on the pop culture licensing space as the board game giant continues to mine its IP portfolio for partnerships in the wider consumer products and entertainment space.

The development is reflective of the growing popularity of the tabletop gaming scene with many of the Asmodee titles going mainstream or finding new audiences throughout the lockdown period.

The partnership with Artovision will see boardgame artwork now produced as shadowbox and desktop artwork, bringing some of the brand’s most iconic pieces of art to life with a three-dimensional depth. Artovision’s shadowbox artwork combines four layers of full-colour art, each printed on optical grade cast acrylic and assembled within a durable frame.

“It is absolutely fantastic to see what Artovision is doing with iconic art pieces from the  worlds of pop culture. Bringing them to a multi-dimensional medium brings out details  and perspectives in a fantastic new way. I can’t wait to see the fans react to some of the  designs that the guys at Artovision are preparing at the moment,” said Alexander  Thieme, licensing manager at Asmodee Entertainment. 

Stuart Sandler, CEO of Artovision, added: “To work with such an immersive artwork portfolio  is truly amazing for us. Through our friends at Asmodee Entertainment, we are currently  working with the renowned Catan Studio and Fantasy Flight Games studios, creators of  the game franchises, to bring all of our experience in the medium to bear and create  some multi-dimensional art pieces to truly delight the fans.”

Klaus Teuber’s Catan is recognised as a highly visual and engaging game, known for the compelling art style of its box covers, board and other game components. Developed by Asmodee’s  Catan Studio, the modern classic celebrates its 25th anniversary in 2020/21 and enjoys a  great and growing audience all over the globe. 

Meanwhile, Twilight Imperium is a genre-defining strategy game set against the backdrop of a  sweeping, epic space opera with awe-inspiring, epic art to match. The cyber-noir setting  of Android sees mega corporations battling for dominance in an AI-enhanced future and  is, like Twilight Imperium, KeyForge and Legend of the Five Rings, a product of Asmodee’s  renowned Fantasy Flight Games studio.

KeyForge is the world’s first Unique Deck Game,  known for its deep, immersive melting-pot universe where anything is possible, with stunning card art central to its appeal.

The world of Rokugan, home to Legend of the Five  Rings, offers an epic fantasy vista and provides the backdrop for a range of beloved tabletop games.

The chosen properties stand out as some of the most beautifully  illustrated brands to be found anywhere in world, traits which make them a perfect fit  for Artovision’s innovate, ultra high-quality shadowbox and desktop artworks.  

The first products of this collaboration are due to launch in fall 2020. 

Asmodee Entertainment brings board game art work to life in Artovision partnership

Asmodee Entertainment has signed a new licensing partnership with Artovision to bring to life several of its tabletop gaming properties through Artovision’s innovative multi-dimensional art collectables. Under the deal, Artovision will develop pieces inspired by the artwork of Catan, Arkham Horror, Twilight Imperium, KeyForge, and Legend of the Five Rings.

Each property is known for their use of high quality illustrations throughout the game. The move is the latest in Asmodee’s ongoing assault on the pop culture licensing space as the board game giant continues to mine its IP portfolio for partnerships in the wider consumer products and entertainment space.

The development is reflective of the growing popularity of the tabletop gaming scene with many of the Asmodee titles going mainstream or finding new audiences throughout the lockdown period.

The partnership with Artovision will see boardgame artwork now produced as shadowbox and desktop artwork, bringing some of the brand’s most iconic pieces of art to life with a three-dimensional depth. Artovision’s shadowbox artwork combines four layers of full-colour art, each printed on optical grade cast acrylic and assembled within a durable frame.

“It is absolutely fantastic to see what Artovision is doing with iconic art pieces from the  worlds of pop culture. Bringing them to a multi-dimensional medium brings out details  and perspectives in a fantastic new way. I can’t wait to see the fans react to some of the  designs that the guys at Artovision are preparing at the moment,” said Alexander  Thieme, licensing manager at Asmodee Entertainment. 

Stuart Sandler, CEO of Artovision, added: “To work with such an immersive artwork portfolio  is truly amazing for us. Through our friends at Asmodee Entertainment, we are currently  working with the renowned Catan Studio and Fantasy Flight Games studios, creators of  the game franchises, to bring all of our experience in the medium to bear and create  some multi-dimensional art pieces to truly delight the fans.”

Klaus Teuber’s Catan is recognised as a highly visual and engaging game, known for the compelling art style of its box covers, board and other game components. Developed by Asmodee’s  Catan Studio, the modern classic celebrates its 25th anniversary in 2020/21 and enjoys a  great and growing audience all over the globe. 

Meanwhile, Twilight Imperium is a genre-defining strategy game set against the backdrop of a  sweeping, epic space opera with awe-inspiring, epic art to match. The cyber-noir setting  of Android sees mega corporations battling for dominance in an AI-enhanced future and  is, like Twilight Imperium, KeyForge and Legend of the Five Rings, a product of Asmodee’s  renowned Fantasy Flight Games studio.

KeyForge is the world’s first Unique Deck Game,  known for its deep, immersive melting-pot universe where anything is possible, with stunning card art central to its appeal.

The world of Rokugan, home to Legend of the Five  Rings, offers an epic fantasy vista and provides the backdrop for a range of beloved tabletop games.

The chosen properties stand out as some of the most beautifully  illustrated brands to be found anywhere in world, traits which make them a perfect fit  for Artovision’s innovate, ultra high-quality shadowbox and desktop artworks.  

The first products of this collaboration are due to launch in fall 2020. 

Licensing International’s Graham Saltmarsh on the shape of things to come for the UK’s licensing scene

One month into his new position as MD of Licensing International’s UK division, the licensing industry stalwart Graham Saltmarsh has already begun to cook the plans with which he aims to give the organisation the shake up that the year 2020 has required of it. Whether it’s the proposed introduction of master classes from the industry’s leading experts, or the plans so clandestine he simply can;t share them yet, there’s one thing that Saltmarsh promises, they certainly won’t be boring.

As the world now begins to find new footing in the shifting sands of current events and develop and fine-tuned what has been dubbed ‘the now normal’, so too does Licensing International’s UK arm look to move with them.

As Festival of Licensing gets underway today, celebrating the global licensing industry with a month-long virtual experience of content from each of its corners, Licensing.biz grabs its moment to talk with Licensing International UK’s new managing director, Graham Saltmarsh about his own plans for the role, his proudest moments in licensing, and why his mates thinks he works in a pub.

So, MD of Licensing International’s UK division – that’s a great title to have. What does the move mean to you?

I have been talking to Licensing International for a while about how we can help promote licensing as an industry, not only within our own ranks but to a wider audience. I have worked in licensing for many years and still when I explain what I do to people outside the industry they either say “Oh, so do you work in a pub?” (sometimes!) or they say “your like Tom Hanks in Big and you just play with toys all day” (if only). I am very excited about my move to Licensing International and I’m looking forward to making people see the benefits of licensing and how amazing we are as an industry.

Bringing an established industry figure such as yourself to the fold is quite the win for Licensing International, too. How will this, and you, help shape a new era for Licensing International?

I intend to start with the basics and make sure we are getting these right, I have been in touch with as many Licensing International members as I could get hold of to ask what we are getting right and what we could do better, we need to provide our members with information and services that they actually want and will find useful. Even non Licensing International members have been in touch to offer their opinions (there are no wall flowers in licensing).

I have had a very exciting and varied career in licensing and so many people have helped me along the way so working with Licensing International, it feels like I am able to give something back and build a stronger more recognised industry.

An illustrious career across the licensing industry to your name, what spurred the move over to this side of the business? And what learning do you think you will bring to the table to shake things up for the UK division?

When you work for a big organisation there is a lot of pressure to bring in the next deal or launch the next big property but this huge pressure sometimes means that properties are launched too soon or with not enough research / insight or with the wrong partner. Licensing International has terrific global insight and can help put property and product launches into a bigger perspective which hopefully reduces the risks.

I have plans for short master classes (30 mins max) from industry experts and from people outside of our industry to give practical help and advice, I have some exciting plans for 2021 but it’s a little too early to reveal them just yet but you know me, they won’t be dull…

It’s been a… funny old year, that has seen big changes across licensing – what do you make of the resilience of the UK licensing space in the face of the pandemic and the changes it has brought to almost all aspects of the business – from retail, to what licensing means in 2020?

The old adage, Fail to prepare then prepare to fail, has never been so true. Some companies I have spoken to immediately embraced the new normal and pivoted their business to a more online proactive way of doing business while some have sat and waited to see what happens.

Some areas have found life tough but the counter balance is that the games, wheeled, puzzles, art & craft, apparel and many other areas have seen very positive results. Licensees are never slow to spot an opportunity (branded face masks) so I am very positive about the future. Retailers still need to sell product so are more open than ever to offer their customers something a little different or special. The Natural History Museum and Roald Dahl collaboration with M&S is a great example.

It’s been a period that has sped up a lot of those more inevitable changes, i.e, the lean in to digital and virtual platforms – how have we seen the licensing space adapt and evolve? What of these changes do you think the industry will carry with it going forward?

I’m sure I’m not alone in saying I was dreading moving to online meetings with all the potential technical pitfalls, I would normally be calling for the IT team because someone wanted to actually see me on my computer… However, the reality is that we have all had to just get on with it and learn new skills and it looks like we will be working from home for some time to come.

I do miss the buzz of a trade show and the unexpected corridor meetings but as these can’t take place at the moment we have to try new things and the online Festival of Licensing will just be another thing we will have to get used to for the time being. It’s difficult to see how the UK leaving the EU will effect business and in turn how this will effect the Treaty of Rome, tariffs, cross border shipping etc, but we are a very nimble and adaptable industry, so I’m sure we will survive.

As big a negative impact the situation has had around the world, there’s a sense of excitement around the potential that changes have unleashed in certain areas of licensing – what stands out the most for you in terms of the UK space?

There are so many changes happening, from multiple source manufacturing (some companies had 100 per cent of their manufacturing in China), smaller companies embracing on-line retail and using sales data to show bigger retailers there is a market for their product, the licensing industry has always been brilliant at innovation and this doesn’t seem to be slowing down during the pandemic if anything people have had a chance to pull back and allow themselves some thinking time which I highly recommend.

What will Licensing International’s role be moving forward in helping the industry adapt and evolve with the changes?

My role with Licensing International will be to offer my UK members insights (there are many reports available to our members!), support, education and somewhere they can just bounce ideas around with like minded industry people. It’s important to know that you have somewhere to turn to if you have questions, if  you want to know who the best person to talk to about counterfeiting, trademarking, design, distribution, promotions and the many other questions I have been asked already. I will listen to the needs of our members and adapt as necessary as we all have been doing.

What are you most looking forward to for the coming year and in the position that you are in? What’s been the proudest moment of your career to date?

I am most looking forward to getting back in touch with the many friends and colleagues I have in the licensing industry and seeing what I can do to help them grow their business and grow the industry.

There are so many things to be proud of, when we won an award at the Licensing Awards – this is the industry we work in saying you are doing something right, I am a very proud supporter of the Light Fund which pulls the whole industry together to raise money for incredible causes. Sometimes it’s the smaller things, like seeing a kid in the street carrying a toy we have developed or wearing a T-shirt for a property we have built up over many years.

I don’t know if proud is the right word but I know a lot of people in the licensing industry called around their friends, colleagues and “competitors” during lockdown just to check in and make sure they were alright – this is the industry I’m proud to work in.

Anything you’d like to shout about?

No I think they will have had enough of me by now….

Licensing International’s Graham Saltmarsh on the shape of things to come for the UK’s licensing scene

One month into his new position as MD of Licensing International’s UK division, the licensing industry stalwart Graham Saltmarsh has already begun to cook the plans with which he aims to give the organisation the shake up that the year 2020 has required of it. Whether it’s the proposed introduction of master classes from the industry’s leading experts, or the plans so clandestine he simply can;t share them yet, there’s one thing that Saltmarsh promises, they certainly won’t be boring.

As the world now begins to find new footing in the shifting sands of current events and develop and fine-tuned what has been dubbed ‘the now normal’, so too does Licensing International’s UK arm look to move with them.

As Festival of Licensing gets underway today, celebrating the global licensing industry with a month-long virtual experience of content from each of its corners, Licensing.biz grabs its moment to talk with Licensing International UK’s new managing director, Graham Saltmarsh about his own plans for the role, his proudest moments in licensing, and why his mates thinks he works in a pub.

So, MD of Licensing International’s UK division – that’s a great title to have. What does the move mean to you?

I have been talking to Licensing International for a while about how we can help promote licensing as an industry, not only within our own ranks but to a wider audience. I have worked in licensing for many years and still when I explain what I do to people outside the industry they either say “Oh, so do you work in a pub?” (sometimes!) or they say “your like Tom Hanks in Big and you just play with toys all day” (if only). I am very excited about my move to Licensing International and I’m looking forward to making people see the benefits of licensing and how amazing we are as an industry.

Bringing an established industry figure such as yourself to the fold is quite the win for Licensing International, too. How will this, and you, help shape a new era for Licensing International?

I intend to start with the basics and make sure we are getting these right, I have been in touch with as many Licensing International members as I could get hold of to ask what we are getting right and what we could do better, we need to provide our members with information and services that they actually want and will find useful. Even non Licensing International members have been in touch to offer their opinions (there are no wall flowers in licensing).

I have had a very exciting and varied career in licensing and so many people have helped me along the way so working with Licensing International, it feels like I am able to give something back and build a stronger more recognised industry.

An illustrious career across the licensing industry to your name, what spurred the move over to this side of the business? And what learning do you think you will bring to the table to shake things up for the UK division?

When you work for a big organisation there is a lot of pressure to bring in the next deal or launch the next big property but this huge pressure sometimes means that properties are launched too soon or with not enough research / insight or with the wrong partner. Licensing International has terrific global insight and can help put property and product launches into a bigger perspective which hopefully reduces the risks.

I have plans for short master classes (30 mins max) from industry experts and from people outside of our industry to give practical help and advice, I have some exciting plans for 2021 but it’s a little too early to reveal them just yet but you know me, they won’t be dull…

It’s been a… funny old year, that has seen big changes across licensing – what do you make of the resilience of the UK licensing space in the face of the pandemic and the changes it has brought to almost all aspects of the business – from retail, to what licensing means in 2020?

The old adage, Fail to prepare then prepare to fail, has never been so true. Some companies I have spoken to immediately embraced the new normal and pivoted their business to a more online proactive way of doing business while some have sat and waited to see what happens.

Some areas have found life tough but the counter balance is that the games, wheeled, puzzles, art & craft, apparel and many other areas have seen very positive results. Licensees are never slow to spot an opportunity (branded face masks) so I am very positive about the future. Retailers still need to sell product so are more open than ever to offer their customers something a little different or special. The Natural History Museum and Roald Dahl collaboration with M&S is a great example.

It’s been a period that has sped up a lot of those more inevitable changes, i.e, the lean in to digital and virtual platforms – how have we seen the licensing space adapt and evolve? What of these changes do you think the industry will carry with it going forward?

I’m sure I’m not alone in saying I was dreading moving to online meetings with all the potential technical pitfalls, I would normally be calling for the IT team because someone wanted to actually see me on my computer… However, the reality is that we have all had to just get on with it and learn new skills and it looks like we will be working from home for some time to come.

I do miss the buzz of a trade show and the unexpected corridor meetings but as these can’t take place at the moment we have to try new things and the online Festival of Licensing will just be another thing we will have to get used to for the time being. It’s difficult to see how the UK leaving the EU will effect business and in turn how this will effect the Treaty of Rome, tariffs, cross border shipping etc, but we are a very nimble and adaptable industry, so I’m sure we will survive.

As big a negative impact the situation has had around the world, there’s a sense of excitement around the potential that changes have unleashed in certain areas of licensing – what stands out the most for you in terms of the UK space?

There are so many changes happening, from multiple source manufacturing (some companies had 100 per cent of their manufacturing in China), smaller companies embracing on-line retail and using sales data to show bigger retailers there is a market for their product, the licensing industry has always been brilliant at innovation and this doesn’t seem to be slowing down during the pandemic if anything people have had a chance to pull back and allow themselves some thinking time which I highly recommend.

What will Licensing International’s role be moving forward in helping the industry adapt and evolve with the changes?

My role with Licensing International will be to offer my UK members insights (there are many reports available to our members!), support, education and somewhere they can just bounce ideas around with like minded industry people. It’s important to know that you have somewhere to turn to if you have questions, if  you want to know who the best person to talk to about counterfeiting, trademarking, design, distribution, promotions and the many other questions I have been asked already. I will listen to the needs of our members and adapt as necessary as we all have been doing.

What are you most looking forward to for the coming year and in the position that you are in? What’s been the proudest moment of your career to date?

I am most looking forward to getting back in touch with the many friends and colleagues I have in the licensing industry and seeing what I can do to help them grow their business and grow the industry.

There are so many things to be proud of, when we won an award at the Licensing Awards – this is the industry we work in saying you are doing something right, I am a very proud supporter of the Light Fund which pulls the whole industry together to raise money for incredible causes. Sometimes it’s the smaller things, like seeing a kid in the street carrying a toy we have developed or wearing a T-shirt for a property we have built up over many years.

I don’t know if proud is the right word but I know a lot of people in the licensing industry called around their friends, colleagues and “competitors” during lockdown just to check in and make sure they were alright – this is the industry I’m proud to work in.

Anything you’d like to shout about?

No I think they will have had enough of me by now….

Roundtable: Creating a brand with longevity and the factors that build a programme with steam

Richard Pink, Ashley Holman, Nikki Samuels, Gabrielle Sims, and Asda/George children’s buyer, Ruth Golightly, are among the licensing experts taking part in a specially curated panel session at next week’s Festival of Licensing, exploring the topic of brand longevity and the multitude of factors that need to be aligned in order to nurture one.

Titled, Building a Long-Term Programme: What do Licensors Need to Do? the session will be available from 9am on Tuesday, October 6th, and will be available to view on demand for 30 days afterwards.

Licensing.biz spoke to all five ahead of the session to offer up a flavour of the topics, conversations, and conclusions that viewers and attendees of Festival of Licensing can expect from the special panel session. So settle in and get your first taste of what’s to come here. Remember, licensees can register to attend for free at www.festivaloflicensing.com

Hello, firstly, to the four of you and thank you for taking the time ahead of what’s looking like a busy four weeks for us all!

To kick off the conversation and give us a flavour of your panel session, let’s jump right in to it. So, can you tell from the outset when a brand is going to have longevity? And if so, what are the key markings of an ‘ever green’ brand?

Richard Pink, MD, Pink Key Licensing


Richard Pink, managing director, Pink Key Licensing: I think it will always come down to the motivation and commitment of the brand owner to put the elements in place, anyone else in the licensing chain will feed off this but if it isn’t there then the brand will struggle regardless of how strong it is. 

Ashley Holman, managing director, Riverside Brands: In terms of new brands launching this is very hard to tell, but if an established brand is getting into licensing for the first time it is easier to tell by looking at how they are entering the licensed market. If it is through considered, well thought out brand extensions that make sense to the core brand values, then it has a chance to build for the long term versus quick win deals that aren’t meaningful to the core values.

Nikki Samuels, CEO, Factory: Evergreen Brands understand what their consumer wants. You can’t tell from the outset if it’s going to be an ‘evergreen property’ but if the brand makes the consumer feel like a hero and positions itself as a guide there is a chance it will have longevity.

Ruth Golightly, head of buying, children’s clothing, ASDA/George: I do get a gut feeling for what will be successful in my section of retail. I engage with licensees and other buyers at my company in other categories to get their thoughts, but you never really know how much longevity brands will have as the customer now wants new and different more often.

Gabrielle Sims, head of licensing, FatFace: I’m a firm believer that a brand that has a strong identity and if it evolves with consistent and clear brand values it will always run the test of time. It’s key that brands listen, inspire and engage their core target market without compromising their values and brand promise.

Ruth Golightly, head children’s buyer, Asda/George

So looking at the big picture then, what role would you suggest each element of the brand creation process – from licensor to retailer – have to play in creating a brand with longevity? 

Richard Pink: The more disparate the elements become, the more difficult it is to have a cohesive programme. The closer communication between the parties, the more a brand programme will become greater than the sum of its parts

Ashley Holman: They are all intertwined, and one doesn’t work without the other. The licensor needs to be clear on the brand positioning and what the consumer might like to see in terms of licensed extensions, as well as provide the tools needed for licensees and retailers to activate through internal resource, style guides and so on.

The licensee needs to have a good understanding of the brand, design interesting and exciting products as well as present to retail in the right way. The retailer needs to buy in to the overall concept, dedicate adequate space in store for it to be visible and not get lost on shelf and support in store where possible.

Nikki Samuels: The licensor must have a very clear strategy and a plan for the brand and who its consumer is. This must be communicated with all the licensor’s partners. If you confuse you lose, not having a clear plan is a guaranteed way to lose longevity.

Ruth Golightly: The most important thing is communication, and listening to ensure you all have similar goals, timing is also a key element.

Gabrielle Sims: All elements of the process have to play their part. It’s really important for brands to partner with the right companies and retailers that have the same vision and goals.

Nikki Samuels, CEO, Factory

So it’s communication, cohesion, and stringent planning. How then do you nurture a brand with longevity through licensing? How important is it to get this element right?

Richard Pink: This is everything and it’s all about patience and doing the right deals to enhance the brand value. Delivering a long-term strategy sometimes means turning down short term financial deals if they don’t fit. 

Ashley Holman: Considered brand extensions versus label slapped quick wins is crucial.

Nikki Samuels: Brands need to be nurtured with great partners that are all working towards the same vision for the consumer. When the consumer interacts with a brand they want to know how this brand can make their lives better.

Ruth Golightly: As a retailer, it’s important that the brand has a presence across all channels – physical stores and online. At Asda we ensure we have a credible offer on George.com across many categories such as clothing, nightwear, toys, home and accessories, so that the customer can buy into the brand for every aspect of life.

Gabrielle Sims: Brands don’t evolve overnight. It takes time and a lot of love and effort. Like anything, the more time and investment you put into a brand, the more you get out of it. It’s so important to listen to your customer, gain trust, and have a clear vision on where and how you want your brand to seamlessly evolve into for licensing.

Your panel session is going to be delving into the topic of ensuring your brand has steam as a key element of creating a brand with real longevity. In such a competitive space that licensing now is, how do you ensure your brand has steam? 

Richard Pink: Always go back to core brand values, as these are the things that differentiate it from other brands. Also, identify the consumer – that way you can match the two together with the right product. 

Ashley Holman: Refreshing of creative and other marketing assets to keep things fresh for the end consumer, even if the brand itself remains consistent.

Nikki Samuels: Brands have to become part of a consumer’s life and be trusted. In today’s world, with so much competition, being authentic and speaking directly to the consumer, making them feel like a hero, will gain steam. Brands that position themselves as heroes don’t last long, they need to be positioned as the guide.

Gabrielle Sims: One of the hardest and challenging things to overcome these days. But if you have a strong brand, loyal customer base and you stay true to your core values, innovate and excite, you are set to come through the other end.

Do you think a brand’s staying power be curated through licensing alone?

Richard Pink: Yes, but it’s harder and there has to be a commitment to delivering everything that is necessary to provide resources to the licensing chain. That’s a how a brand like Pan Am can stay relevant, long after the planes have stopped flying.

Ashley Holman: To a degree, if the strategy is executed correctly then the licensed product itself can become so intertwined with the core brand offering that it can live on, even if the original brand heritage wanes.  

Ashley Holman, MD, Riverside Brands

Nikki Samuels: Definitely not, licensing is only a part of a brand’s marketing and it’s very important that the right consumer products that fit the brand’s values are licensed. Products that don’t fit with brand values will confuse the consumer. 

Gabrielle Sims: Yes, if curated properly – having key strong partners that work together and communicate is key. It’s about partnership, long term vision and investment by all.

What is it that consumers are consumers from their brands today? 

Richard Pink: Value and imagination. The consumer is way too savvy for label slapping, they have strong associations for some brands, and they want them reinforced by the product they see.

Ashley Holman: Authenticity, interesting extensions and something that is relevant to the core DNA of the brand identity.

Nikki Samuels: I believe consumers want brands that they can trust and know what they are doing. They want to know if investing their time and money in this brand will be worth it.

Ruth Golightly: Customers want trust in a brand they are buying into, whether that’s knowing the ethics and sustainability ethos of a brand, or knowing that products are the right quality they expect.

Gabrielle Sims: Consumers expect so much from brands. The obvious being quality, price, loyalty, transparency and sustainability, but today brands need to be nimble and convenient too to allow for that ‘ instant’ ‘I want it now’ turn around.

How has this changed the boxes that need to be ticked to become a brand with longevity?

Richard Pink: It really hasn’t – you just have to be firm of what the appeal of your brand is (which could be many things) and keep delivering on it in spades. Oh, and keep innovating!

Gabrielle Sims, head of licensing, FatFace

Ashley Holman: It hasn’t really, those brands that have stood the test of time, especially those with extensive licensing programmes have always adhered to these principles. They may have just moved with the times in terms of new categories and marketing techniques, but the principle remain the same.

Nikki Samuels: I think that brands now have to have clear values and guide their consumers how to interact with them every day because they are making their consumer’s lives better.

Ruth Golightly: It’s not just about selling ‘stuff’ anymore, it’s about a lifestyle that customers buy into.

Gabrielle Sims: I don’t think this has ever changed I just think brands are under more pressure to deliver on all levels. Especially speed to market.

Available on demand from 0900 Tuesday 6 October at www.festivaloflicensing.com – attendees must register in advance to access the platform and all of the Festival’s content.

Building a Long-Term Programme: What do Licensors Need to Do?
Nikki Samuels, CEO, factory
Ruth Golightly, Head of Buying, Children’s Clothing, Asda/George
Ashley Holman, Managing Director, Riverside Brands
Gabrielle Sims, Head of Licensing, FatFace
Moderator: Richard Pink, Managing Director, Pink Key Licensing

Banijay, Sanrio, and Diageo make up final keynotes for Festival of Licensing Live Stage

Festival of Licensing has revealed the final three keynotes to take its Live Stage – this year sponsored by Crunchyroll – as it welcomes Banijay, Sanrio, and Diageo to the fold. The three firms will take up the European, Asian, and Americas keynotes respectively.

Banijay recently became the world’s largest international content producer and distributor, following its recent acquisition of Endemol Shine Group, Sanrio is a global lifestyle brand best known for it pop icons like Hello Kitty, and Diageo is a powerhouse behind beverage, spirit, and beer brands such as Johnnie Walker, Baileys, Guinness, Captain Morgan, and more.

The three latest additions joins a roster that already boasts the likes of Smiley, Alibaba, and Authentic Brands Group among others.

A month-long virtual celebration of the global licensing industry running from October 6 to 29th, Festival of Licensing incorporates three regional events linked to the world’s biggest markets – Europe, Asia and the Americas – and culminates with the global C-suite and executive-level virtual conference, Licensing Leadership Summit. 

The live presentations will take place as follows: 

  • Europe Keynote – Powered by Brand Licensing Europe on Thursday, 8 October, 9am BST:

The Role of Licensing in Building Global Brands
Speakers: Jane Smith, Group Director Brand Licensing and Gaming, Banijay/Endemol Shine

  • Asia Keynote – Powered by Licensing Expo China and Licensing Expo Japan on Thursday, 15thOctober, 2pm CST 

Small Gift, Big Smile: Evolving a Global Heritage Brand While Maintaining Core Values
Speaker: Linh Forse, Senior Director, Sales and Business Development, Sanrio Inc.

  • Americas Keynote – Powered by Licensing Expo on Thursday, 22ndOctober, 9am PST 

How Diageo Leverages Licensing to Fuel Growth in an Ever-changing Marketplace 

Speakers: Declan Hassett, Senior Licensing Manager, Diageo, and Shane Grogan, Senior Licensing Manager, Diageo

Banijay, Sanrio and Diageo are huge brands and home to some of the world’s most creative and successful licensing programmes, which have – unsurprisingly – captured the hearts and loyalty of their fans and consumers. We are delighted to have them join us on the Festival of Licensing Live Stage next month,” said Anna Knight, vice president of licensing, Informa Markets.  

“Crunchyroll has been the world’s best home for anime for over 10 years and is also an established licensor and distributor worldwide, so it made perfect sense for us to partner with Festival of Licensing as the Live Stage sponsor and we’re really looking forward to enjoying the programme, along with thousands of other visitors across Europe, Asia and the Americas,” added Waell Oueslati, director of acquisitions and licensing at Crunchyroll SAS (EMEA).

Meanwhile, ViacomCBS Consumer Products, which is sponsoring the Festival of Licensing Community & Wellbeing Programme, has also added fresh details to its well-being workshop content, which is available to view, download and start grooving to from Tuesday, 6 October at 7am BST.

Community & Wellbeing Programme:

  • GET UP AND MOVE WITH NICK JR

Take a break from the day and invite your kids to join as your favourite Nick Jr. friends guide you through family friendly dance moves, yoga poses and stretching exercises.

  • BIKINI BOTTOM YOGA

Take a trip to Bikini Bottom for a SpongeBob-themed yoga class. Hosted by yoga enthusiast Adanna Paul, viewers will experience a calming yoga practice, set to tropical music and ocean sounds, providing a healthy break to stretch and relax.

  • RETRO MTV WORKOUT

Get up and move in between business sessions with fitness influencer Sydney Cummings, who will lead viewers through an MTV-themed workout. Don’t worry about skill level, there are options and modifications for everyone! 

Festival of Licensing is organised and produced by the Global Licensing Group at Informa Markets.

Visitors can register for free at www.festivaloflicensing.com

Brand Central named global consumer products agency for US YouTube-created lifestyle brand Full Send

Brand Central LLC has been appointed the global consumer products agency for the US lifestyle brand Full Send, a label created by collaborative portfolio of YouTube content creators, including the popular Nelk Boys.

Under the partnership, Brand Central will look to develop strategic collaborations as it extends the Full Send brand into retail, tapping into the popularity of the brand’s collaborative popularity across content creators such as @kyleforgeard, @mtvjesse, and @stevewilldoit.

 The licensing agency is looking to attract licensees and retailers on a mission to tap into the world of digital influencers. Both the FULL SEND brand and the Nelk Boys were founded in 2010 and have to date amassed more than 27 million followers across all social platforms. 

“Our team is thrilled to go all in with Brand Central as they are the go-to licensing experts in digital, lifestyle, and pop culture representing brands such as Jake Paul and Ninja,” said Full Send’s business manager, Drew Hill. 

“We are honored to work with the Nelk Boys and the Full Send brand which is the obsession of millions of young adults fans.  We are confident of the success of Full Send at retail and looking forward put together very compelling collaborations that will be become ‘must have’ products of 2021,” added Ross Misher, Brand Central CEO.