"Future of kids' TV," Pablo eyes children's literature move with publishers lining up

Paper Owl Films has confirmed it is bringing the all-autistic core cast TV series to children's books and is eyeing publishing and licensing opportunities.
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Paper Owl Films, the creators of the hit children’s TV series and first of its kind to feature an all-autistic core cast, Pablo, is looking to move into the world of print.

The firm has confirmed that it is in discussions with several major publishers to bring the animated series into the world of children’s literature with the help of industry consultant, Ingrid Selberg.

Selberg, the MD of Ingrid Selberg Consulting is working with Paper Owl Films to explore a range of new licensing and publishing opportunities to expand Pablo’s brand rach and impact in new markets.

Launched in the UK and Ireland on CBeebies and RTEJr last autumn, the successful series has taken the world by storm, headlining children’s TV schedules on international networks including NBC Universal Kids, Canada’s CBC, Australia’s ABC and Discovery Latin America.

Pablo follows the story of a five year old boy with autism who uses magic crayons to create an imaginary Art World, populated by animal characters who help him handle everyday situation in a novel way. The series is broadcasting in China, Korea, Hong Kong, Finland, Sweden, the Middle East, and africa and will soon be available worldwide on Netflix.

According to Pablo creator and director of Paper Owl films, Grainne McGuinness, the series has introduced a “completely new voice to the autism conversation.”

“This wholly unique series aims to open the autism dialogue up, to stimulate new thinking and greater understanding among mainstream audiences of what it means to be a child with autism. Ultimately, Pablo is about creating a higher level of empathy amongst children for those who see the world in different ways.

‘The originality of the stories and approach of the series has not only won the hearts of he public but evoked significant interest from publishers. In an increasingly tough world where children face greater challenges than ever before, we are delighted to be in discussions with several international publishers who can maximise Pablo as a force for good by bringing the series from the small screen to life in a new form.

“Pablo is going to be a major part of the future of children’s television and learning. It’s an authentic narrative which has grown out of real experience and need and we are excited to see how that longevity can be enhanced through a publishing partnership.”

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