Golden Goose appointed to help The Rocky Horror show celebrate a licensing timewarp

Global stage and film phenomenon The Rocky Horror Show has appointed Golden Goose to develop an international licensing programme in time to help celebrate the brand’s 50th anniversary.

Since its debut at the Royal Court Theatre in London back in 1973, The Rocky Horror Show has been ever-present on stage and in cinemas, spanning the globe with its infectious concoction of sexual liberation, b-movie pastiche and rock’n’roll.

Andy Leighton, the show’s music publisher, says: “The original production’s rallying cry of ‘Don’t dream it, be it’ helped to build a community of people otherwise excluded from mainstream culture. With continuous revivals of the show across the globe, the movie (the longest-running screened production in history) and the 50th anniversary coming up, multiple generations are ready to rediscover the wonderfully liberating effect of The Rocky Horror Show. We are very excited to see where Golden Goose takes us on our licensing journey and can’t wait to get started.”

Lisa Shapiro, lead consultant for Golden Goose, says: “The Rocky Horror Show is known around the world for its exuberance, boldness and a storyline that was light-years ahead of its time. A licensing programme that creates fantastic products featuring these iconic characters, lyrics and graphics for the massive fanbase is well overdue.”

Adam Bass, Director of Golden Goose, adds: “With the show’s message of liberation now effectively having been delivered, The Rocky Horror Show is set to stand out on-shelf as a fun, socially relevant, multigenerational brand, that also features transexual aliens.”

Interested potential licensees and international sub-agents should contact Golden Goose for more information.

Rubber Road joins forces with Shepperton Design Studios for Original Stormtrooper merch

Rubber Road continues to expand its relationships with key players in the world of movies to grow its portfolio of merchandise for all things, pop culture, videogame, comicbook and TV related, by kicking off 2022 with a new partnership with Shepperton Design Studios.

In a deal brokered by Golden Goose, Rubber Road will develop an extensive range of Original Stormtrooper themed merchandise landing later this year to meet the demands of the IP’s many fans.

The new deal will see Rubber Road designing, manufacturing and distributing a range of official merchandise with its creative design business, Numskull Designs.

Liam Taylor, Commercial Director at Rubber Road, says: “We are ecstatic to be working with Golden Goose and Shepperton, whose Original Stormtrooper is a fantastic property that complements our portfolio no end. We’re looking forward to a great partnership. This deal sees a fantastic range of Stormtrooper merch in the works at our design studios and we can’t wait to release them to fans later in 2022.”

Rubber Road is known for producing merchandise for some of the leading global brands in entertainment including Universal, Warner Bros, Netflix, Xbox, Sony Pictures, Sony Playstation, SEGA and Hasbro. Franchises in the portfolio include Minions, Harry Potter, DC Comics, Sonic the Hedgehog, Back to the Future, Stranger Things, Jurassic Park, Star Trek, Ghostbusters, Lord of the Rings, Friends and Resident Evil.

Rubber Road extends partnership with Warner Bros Consumer Products

Golden Goose to showcase new licensing admin system BrandXL at BLE

Strategic licensing boutique Golden Goose has announced the launch of BrandXL, a new licensing admin aystem that will form part of the agency’s consultancy offering.

Inviting small and growing programmes to enjoy a free trial, Golden Goose Director Adam Bass says: “We’ve concentrated 50+ years of professional licensing experience into a very easy-to-use, intuitive system,” which was developed “because we needed to give our clients and licensees one easily accessible, secure, on-line place for all of their licensing data.”

BrandXL is now available to other agencies and brandowners looking for a management tool and expert advice to support the growth of their licensing programmes. Adam adds: “Golden Goose will use our knowledge, contacts and experience to help BrandXL partners grow their licensing programmes.”

Lead developer Ethan Jamrose is giving demonstrations at BLE (on stand C200) and says: ”We can’t wait to build features for this collaborative community, BrandXL’s simple effectiveness will only improve as more companies come on board.”

As the first licensing admin system designed specifically for small and growing programmes, BrandXL gives multi-level access to stored contracts, uploaded royalty reports and managed approvals.

BrandXL is free for small licensors and agents with a fee per licensee per year added to the system. Companies looking to sign up should arrange a free trial or book a demonstration at BLE.

Golden Goose and Ethan Jamrose will be on stand C200.

English Heritage licensing programme builds momentum

The English Heritage licensing programme is building momentum with a roster of new licensees signing up to work with the charity that cares for 400 historic sites, which receive over 10 million visitors a year.

New licensed products launching next year cover a wide range of categories, from wooden jigsaw puzzles (Wentworth Puzzles) to handmade tinned fudge (Gardiners). In addition, there are advanced plans for a complete range of homewares in development to include furniture, fabrics, wallpaper, outdoor fabrics, tiles, paint, bedding and more.

Helen Webster, Account Director of English Heritage’s brand licensing consultancy Golden Goose, says: “We have been very pleased to see the appetite for the English Heritage programme from manufacturers across multiple categories and sectors. We expect English Heritage licensed products to be a prominent and successful feature of UK retail for many years to come.”

“The work Golden Goose are doing now is building a very strong foundation for the future,” adds Kingston Myles, Head of Commercial for English Heritage. “The many plans in development will really allow us to showcase, at pace, the charity’s intellectual property and collection of sites.”

Based in London, Golden Goose is a pan-European brand licensing consultancy established in 2002 to help corporate brands develop licensing opportunities. Other clients include Men’s Health & Women’s Health (Hearst), Mother&Baby (Bauer), Del Monte, Shepperton Design Studio’sOriginal Stormtrooper and the Tusk Trust.

English Heritage and Golden Goose will be exhibiting at BLE and will be on stand C200.

 

A Full English | Golden Goose on putting English Heritage in the product and on the packaging

With over 400 historical and cultural sites across the country as well as a portfolio that spans the ages, from the mysteries of Stonehenge to the art deco interiors of Eltham Palace, the playground of opportunity for the English Heritage brand to explore through consumer products and licensing is vastly exciting.

Couple all of this with the current spike in demand for cultural IP licensing from consumers the world over, each looking to re-engage with the stories and history channeled through the sector, and it’s an enviable position that the UK licensing agency, Golden Goose finds itself in, representing one of the country’s most revered names in historical and cultural conservation.

Here, Licensing.biz catches up with Golden Goose’s Helen Webster to learn more about the licensing specialist’s plans for the English Heritage brand, and why developing consumer products for a name so rich with history means ensuring that ‘English Heritage is in the licensed products, as well as on the packaging.’

Hello Helen, thanks for talking to us this month. To kick us off, could you give us an overview of the English Heritage brand, its role in maintaining, safeguarding and promoting some of the country’s most historical sites, and the values that the brand brings to the licensing space?

The English Heritage brand is one of the UK’s best known and most respected heritage brands. English Heritage wants people to experience the story of England where it actually happened so their sites and properties offer an imaginative, true to the story, carefully curated experience aimed at inspiring people of all ages. Alongside this, English Heritage works to ensure their sites and properties  – which include Stonehenge, Osborne House, Kenwood House and Dover Castle –  and the thousands of historic artefacts in their care are conserved and expertly cared for such that they can also be enjoyed by future generations.

As such, the values inherent in the English Heritage brand are authenticity, quality, inspiration, responsibility and fun; all of which are values that will flow through the English Heritage licensing programme and connect with today’s consumers and the way they want to blend history into their lives.

Looking over the English Heritage website and shop, the brand has already made headway in the licensing space. How is Golden Goose leveraging the rich heritage of the brand itself to build on the licensing portfolio?

Also, where do you even begin with building out a programme for such a revered name as English Heritage?

While it is clear from past activity that the English Heritage brand has enormous potential, this is really the first time that licensing is receiving the level of internal focus that it needs to achieve significant scale. Because we are working directly with Kingston Myles who is the Head of Commercial Development, we can leverage all of the EH brand assets, from the trademark to the collections archive right and on to the multi channel commercial operation which includes over 100 retail outlets, 35 café’s and a portfolio of  holiday cottages.

Having an expert point of contact with Kingston allows us to target the biggest potential categories and opportunities cohesively. To date we have even been able to start scoping out international markets where the brand has impact, such as South Korea.

“Our approach to licensing English Heritage means ensuring that the English Heritage brand is ‘in’ the licensed products as well as ‘on’ the packaging.”

How has ‘heritage licensing’ changed over recent years, what do consumers expect in terms of brand narrative and story telling in ‘heritage licensing’ today, and how will this be reflected in your approach to licensing English Heritage?

With the lockdowns causing a massive shortfall of visitation and thus creating income gaps for most heritage brands, there are certainly more heritage brands keen to penetrate the market and benefit from quicker wins. Our approach to licensing English Heritage, however, will be to ensure we put in place a long-term strategic licensing programme that is well aligned with the brand’s core values and purpose. This means ensuring that the English Heritage brand is ‘in’ the licensed products as well as ‘on’ the packaging.

English Heritage is not only a well established brand itself, but with over 400 sites across the country, has a portfolio of rich cultural history that spans the ages. The licensing and story telling potential it boasts must be incredibly exciting. What level of creativity does the portfolio afford you? 

Thanks to the more than 400 properties that English Heritage manages and maintains there is a rich treasure of design inspiration available; from the art deco interiors of Eltham Palace, the beautiful prints and patterns inside Audley End House and of course the Victorian splendour of Osborne House.

There are many design eras available to inspire licensees however, in addition to being a rich asset bank, English Heritage is very much a living brand so our licensees will not only be able to draw from a wonderful design heritage and use these assets as is for specific product categories but others will also be able to use the asset bank to inform and inspire beautiful, useful products for today’s consumers and today’s preferences for colour, scale and detail.

How can licensing unlock history for new generations?

There is plenty that EH is already doing to appeal to new generations and we see that more as a core attribute of the brand rather than something that could be used purely to create licensed products. However, we are looking into toys, puzzles, dress up and other categories that will bring the brand to life for new generations while also helping them learn about and appreciate the rich seam of history that English Heritage represents.

How has the consumer’s relationship with ‘heritage licensing’ changed in the last 12 months? Has lockdown and the pandemic changed the way in which people want to experience art and culture? How does this influence your licensing strategy?

The market was already seeing a resurgence in the consumer’s interest in all things heritage and the authenticity and quality this can represent but the last year has accelerated this and also positioned “heritage” alongside other accelerating consumer interests in and around sustainability and our environment, where authenticity and quality also play their part. This is very much playing into our licensing strategy.

Further, I think consumers have tuned into online shopping more than ever before which means that they expect the products that they can imagine to be available. This presents opportunities for print/manufacture on-demand licensees, of course, but now that things are opening up again, EH are hoping to see visitors return to sites and their shops.

Hopefully, our English Heritage licensees, where relevant, will be able to tap into any opportunities that arise through the English Heritage stores, too.

“We’re looking into toys, puzzles, and dress up to bring the brand to life for new generations while helping them learn about the rich seam of history that English Heritage represents.”

What categories or licensing partners will be key to you as you build on the English Heritage portfolio? What will the lifestyle, home, and garden licensing spaces span, and how will you look to tell the story of English Heritage through these?

All things home, home décor and garden are key to the English Heritage brand and it’s no surprise that we will shortly be unveiling our first tentpole licensee who will be working across fabrics, wallpapers and home décor internationally.

The rich English Heritage asset bank, the stories behind the patterns and designs in their properties, their fabulous gardens and the credibility of the English Heritage brand itself will be essential ingredients in telling the story of English Heritage through their licensed products.

What can we expect from English Heritage in the licensing space in the coming year and beyond? What’s the next step for you guys in the sector?

You can expect us to deliver high quality, aspirational products that appeal to the discerning consumer who wants a product that delivers on everything heritage stands for in their own homes, whether that be  in furniture, fabrics, bedding, fragrance or other lifestyle products.

In addition, you can expect some surprises because, as an agency, we are always looking for ways to move the needle and gain momentum that opens the doors to new product categories and markets.

Golden Goose bolsters ranks with Val Fry, Tina-Louise Foster, and Helen Webster

Golden Goose has welcomed a trio of experienced licensing professionals to the team as Valerie Fry, Tina-Louise Foster, and Helen Webster take up roles to help the licensing agency develop programmes for its growing client list.

Both Fry and Foster will drive the licensing programmes surrounding Shepperton Design Studio’s Original Stormtrooper abnd Bauer’s Mother & Baby, while Webster will be helping to develop the Tusk Trust and English Heritage licensing programmes.

Each new team member boasts a wealth of licensing industry experience and expertise across the entertainment, lifestyle, home, and interiors sector. Nimbus Nine founder, Foster has worked across the likes of LOL Surprise, DreamWorks, and Warner Bros, while Fryday Brands founder, Fry has worked with Ryan’s World and Thomas the Tank Engine.

Strategic Brand Licensing founder, Webster has previously worked with Sanderson, Scion Living and The Original Morris & Co. Each joins the team to provide an excellent understanding and network of connections.

Adam Bass, director of Golden Goose, said: “With these three additions to the team we have massively increased our experience and professionalism. We know our client’s programmes will benefit from Tina-Louise, Valerie and Helen’s invaluable knowledge and licensing expertise.”

Valerie Fry, said: “The Original Stormtrooper has seen real market beating growth during lockdown.”

Webster added: “Home decoration and gardening are massively growing categories and we want to add the weight and influence of these fantastic brands.”

Finally, Foster concluded: “We look forward to taking Golden Goose client’s licensing programmes from strength to strength.”

Golden Goose names licensing agent for ‘seriously good’ food brand, Twisted

The strategic licensing consultancy, Golden Goose has been appointed by Jungle Creations to develop licensed products under its Twisted brand.

Recipes and video content for “unserious food that tastes seriously good” has made Twisted the UK’s No. 1 food brand on social, acquiring over 30 million followers  since 2016. 

Award-winning marketing campaigns for brands such as Baileys, Heinz, Hellmans, Birdseye, Walkers and McDonalds saw Twisted sponsored content generate 55 million views in 2020. As a brand that influences the purchasing decisions of Gen-Z consumers, Twisted is now looking to leverage its market intelligence onto its own branded products.

The brand will look to take the Twisted across multiple food and non-food categories.  

Olly Johnson, Twisted’s managing director of eCommerce, explained: “As the UK’s number one food and drink brand on social we know the engagement we can deliver with Twisted digital content and, working with Golden Goose, we look forward to making Twisted branded products widely available for our  growing audience to enjoy.” 

Adam Bass, director of Golden Goose, added: “Consumers are desperate for  innovation and, for Gen-Z, food is content for their feed. The Golden Goose  team are excited to be working with the Twisted brand to deliver innovative, interesting and unserious food and food gifting products into multiple retail  and direct to consumers.”  

Multiple retail food sales grew by £9 billion in 2020 with line extensions into  booming markets advancing at warp speed, so the Twisted licensing  programme looks set to build on the successful Twisted Kitchen delivery-only  restaurant and the best-selling Twisted cookbook.

English Heritage appoints Golden Goose as it looks to build across lifestyle, home and garden licensing

English Heritage has appointed the strategic licensing boutique, Golden Goose as its licensing representative with the remit of building up and managing the brand’s lifestyle, home, and garden licensing. The appointment swiftly follows the announcement of a new global spirits licensee for the English Heritage name.

Kingston Myles, head of commercial development at English Heritage, said: “As the custodians for 400 sites, many with stunning gardens, that receive 10 million visitors a year, we are looking forward to working with Golden Goose to create an exciting range of licensed products that will capture our expert team’s passion for authentic storytelling alongside the hugely recognisable English Heritage brand.”

The appointment of Golden Goose arrives at a time in which the ‘staycation’ market has witnessed a huge increase in numbers thanks to travel restrictions surrounding the pandemic. On top of this, English Heritage currently boasts close to one million members and 100 existing English Heritage retail outlets.

Adam Bass, Golden Goose’s director, added: “We love the passion, authenticity and  history behind the English Heritage brand, and can’t wait to develop the quality of products that this prestigious programme deserves.” 

The account team working on the English Heritage licensing programme, alongside new business director Martin Clark, will  include two of Golden Goose’s latest hires, Rebeckah Dalton and Helen Webster, who have a wealth of experience working in  the lifestyle and home categories.

The Tusk Trust eyes environment-conscious consumer products move with Golden Goose

The Tusk Trust, a charity that, for 30 years, has helped initiate conservation work in Africa has appointed Golden Goose to develop new licensing opportunities across multiple retail categories.  

The environmental charity has a high profile thanks, in part, to its Royal Patron, HRH The Duke of Cambridge, and has previously seen licensing  success through a fruitful partnership with the specialist retailer, Mothercare.

Adam Bass, Golden Goose director, explained: “Because of  its work with endangered species such as elephants, lions, giraffes, wild dogs, turtles, and more, The Tusk Trust has fantastic eye-catching imagery that can be used on products as diverse as nursery apparel, plush, publishing and home decoration.”

Antonia Habdank-Toczyska, client and strategy director with Golden Goose, added: “With African prints and patterns being so on trend, Tusk is well set to deliver products that protect and connect to Africa’s rarest animals.” 

The Tusk Trust’s interest in developing its licensing programme couldn’t be better timed. According to The Grocer, 55 per cent of consumers have grown more concerned about the environment since the pandemic.

With successful conservation initiatives across more than 20 countries, increasing vital protection for over 10 million acres of land and more than 40 threatened species, and as a brand that has already shown proven success at retail, Tusk ‘presents a great opportunity for licensees and retailers to develop stand out, commercially successful product that is aligned with consumer trends,’ said Golden Goose.

Dan Bucknell, Tusk Trust executive director, said: “A lot of the planned activity celebrating our 30th anniversary has been deferred so we expect licensing activity to play a valuable role in helping us  reach our target audience with relevant products.”

Golden Goose welcomes new product director Rebeckah Dalton as Phillippa Green takes up role at The Royal Mint

Golden Goose is bidding a fond farewell to its product director Phillippa Green who is leaving the licensing agency to take up the role of licensing manager at The Royal Mint. Green has held her position with the outfit for the past five years.

Among the latest changes to the Golden Goose team, it’s TLC’s former head of product development, Rebeckah Dalton, who now joins the company to take on the management of the Original Stormtrooper licensing programme.

Adam Bass, director of Golden Goose, said: “It’s going to be very, very hard to say goodbye to Phillippa who has been such an excellent member of the team for the last five years, the clients and I will miss her.

“On the plus side though, we are excited to have Rebeckah coming on board and we look forward to adding her input, insight, and experience to the successful Original Stormtrooper licensing programme and other new clients joining our portfolio.”

Golden Goose’s new product director, Rebeckah Dalton, said: “It’s great to be joining such a professional company and to be working on such a great property. I can’t wait to get started.”